Lauren Woodard
, assistant professor of anthropology, has received the Spring 2025 Association for Slavic, East European and Eurasian Studies (ASEEES) First Book Subvention for her upcoming book on Russia’s migration policies on the Russia-China border.
Woodard’s book is titled “Ambiguous Inclusion: Migration and Race on the Russia-China Border” (University of Toronto Press, 2026). It draws on her 17 months of ethnographic fieldwork, including interviews and immersive participant observation in Moscow and Vladivostok, Russia, and Almaty, Kazakhstan, from 2014-17.
Further, it explores how those who immigrate to Russia through its Resettlement of Compatriots Program experience challenges adapting to life in the country, despite receiving expedited citizenship and state benefits. Migrants’ uneasiness, she argues, reflects racial hierarchies that are shaped by complex configurations of ethnicity, language and culture.
The ASEEES is a nonprofit scholarly society that supports teaching, research and publishing about Central Asia, the Caucasus, Russia and Eastern Europe. It hosts an annual convention, book prizes and the Slavic Review—the leading peer-reviewed journal in the field. The first book subvention prize is awarded twice annually to three winners for individually authored books.
Woodard’s research has been supported by the Wenner-Gren Dissertation Fellowship, Fulbright research grants to Russia and Kazakhstan, and the Social Science Research Council. She was also awarded the Title VIII Research Scholar fellowship by the Wilson Center in Washington, D.C., in 2022 for her research on migration, race and belonging in Russia’s Far East. She received the International Relations Teaching Award for the 2022-23 academic year, which recognizes excellence in teaching and contributions to the international relations undergraduate program.
Woodard is a senior research associate in the Center for European Studies. She teaches courses on political anthropology, Eastern Europe, anthropological theory and global encounters.
Story by Michael Kelly
