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Campus & Community

鶹ƵStage Welcomes the Holiday Season With ‘Rodgers & Hammerstein’s Cinderella’

Thursday, November 14, 2024, By Joanna Penalva
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College of Visual and Performing Arts鶹ƵStage

continues the 2024-25 season with “Rodgers & Hammerstein’s Cinderella,” the wondrous musical from theatre’s most iconic songwriting duo. Co-produced with the Department of Drama in the College of Visual and Performing Arts, the production is directed by Melissa Rain Anderson (“A Christmas Carol,” “Disney’s The Little Mermaid”), with music direction by Brian Cimmet and choreography by Jessica Chen. “Rodgers & Hammerstein’s Cinderella” will run Nov. 22 to Jan. 5, 2025, in the Archbold Theatre at 鶹ƵStage, 820 E. Genesee St., Syracuse.

Graphic for 鶹ƵStage production Rodgers & Hammerstein's Cinderella“This year, we invite everyone to make 鶹ƵStage a part of your holiday celebration,” says Robert Hupp, 鶹ƵStage’s artistic director. “Stage’s production of ‘Cinderella’ is a magical treat for the young and the young at heart. We’re eager to share our new production with Central New York; we promise you’ll make memories that will last a lifetime.”

Originally premiering as a live television program in 1957 with Julie Andrews in the title role, “Rodgers & Hammerstein’s Cinderella” is a magical celebration that proves dreams come true, if only we dare to wish. This “enchanted” version of the beloved musical is based on the 1997 television film, featuring Brandy as the would-be princess and Whitney Houston as her fairy godmother, and boasts a cast of 30 spectacular performers made up of Broadway veterans, professional actors from around the country and students from the Department of Drama.

“This version of ‘Cinderella’ is absolutely joyous and feels fresh and accessible for a modern audience of all ages,” says director Melissa Rain Anderson. “The heart of the story centers on the possibility of making a dream come true and the will to do something incredible with it. This classic fairytale charms with enchanted animals, soaring love songs and hilarious characters to entertain. Come see how we transform a plain pumpkin into a glimmering carriage and dancing mice into four regal horses with magical surprises along the way.”

Returning to 鶹ƵStage after appearing in last season’s “A Christmas Carol,” Department of Drama junior Madison Manning plays the title role in this fantastical and dazzling storybook come-to-life. The cast also features Trisha Jeffrey as Fairy Godmother, Darell Morris Jr. as Prince Christopher, Ann Arvia as Stepmother, David Lowenstein (“A Christmas Carol,” “Disney’s The Little Mermaid”) as King Maximillian, Celia Madeoy (“Disney’s Beauty and the Beast,” “Elf the Musical”) as Queen Constantina, Blake Segal (“Agatha Christie’s Murder on the Orient Express,” “Our Town”) as Lionel and Department of Drama seniors Sydney Carmona, Adeera Harris and Zach Asnis as Joy, Grace and Charles the Cat, respectively.

The design team for “Rodgers & Hammerstein’s Cinderella” features many names familiar to 鶹ƵStage audiences, including sets by Kimberly Powers (“A Christmas Carol,” “Disney’s The Little Mermaid”), costumes by Ryan J. Moller (“Matilda The Musical”), wigs by Bobbie Zlotnik (“Agatha Christie’s Murder on the Orient Express,” “Tender Rain”), lighting by Lonnie Rafael Alcaraz (“A Christmas Carol,” “Disney’s The Little Mermaid”), sound by 鶹ƵStage resident sound designer Jacqueline R. Herter and projections by David Murakami.

Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics) were amongst the most celebrated songwriters of their time, with works that helped shape not only musical theatre as an artform, but popular culture writ large. Their first show, “Oklahoma!” in 1943, changed the landscape of contemporary operetta, and ushered in a golden age of American musicals, defined in part by their landmark works including “Carousel,” “South Pacific,” “The King and I” and “The Sound of Music.” Their adaptation of “Cinderella” premiered in 1957, and was their only musical written specifically for television audiences. The show was re-staged in 1965 for broadcast with Lesley Ann Warren in the title role, and again in 1997, notably featuring a multiracial cast. “Cinderella” premiered on Broadway in 2013, with an updated score and book. Oscar Hammerstein died in 1960 at the age of 65; Richard Rodgers survived his writing partner by nearly 20 years, passing away at the age of 77 in 1979. Today, their musicals are perennially produced in theatres large and small, seen on television screens around the world and enjoyed by audiences, young and old, who re-discover their timeless stories anew.

All evening performances begin at 7:30 p.m. while all matinee performances begin at 2 p.m. Tickets start at $30 with discounts available for students and groups. Tickets may be purchased online at SyracuseStage.org, by phone at 315.443.3275 or in person at the 鶹ƵStage Box Office. Pay-What-You-Will performances are Nov. 22–Dec. 1 inclusive; Prologue conversations, three pre-show discussions that take place one-hour before curtain on Dec. 1, 7 and 19; the Post-show Talkback will take place on Sunday, Dec. 15 after the 7:30 p.m. performance. 鶹ƵStage has its open-captioned performances scheduled for Dec. 4, 15 and Jan. 4 at 2 p.m. and Dec. 14 at 7:30 p.m., as well as an audio-described performance on Sunday, Dec. 14 at 2 p.m. The Sensory Friendly/Relaxed performance is scheduled for Saturday, Jan. 4 at 2 p.m.

鶹ƵStage is pleased to announce the addition of Trivia Night, a new event for the 2024-25 season. Free for ticket holders, Trivia Night invites audiences to go head-to-head for a chance to win exciting 鶹ƵStage prizes, in a friendly competition hosted by “Jeopardy!” champion Dillon Hupp. Trivia Night will be held on Thursday, Dec. 5 at 6 p.m. Tickets for the 7:30 p.m. performance are required to participate. Pre-registration at Syracusestage.org is recommended.

  • Author

Joanna Penalva

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